"Carmen: Habanera. "L'amour est un oiseau rebelle" (Carmen) - Arr. for Piano, World Premiere Recording" by Georges Bizet, Cyprien Katsaris was released on November 15, 2014. The duration of Carmen: Habanera. "L'amour est un oiseau rebelle" (Carmen) - Arr. for Piano, World Premiere Recording is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen: Habanera. "L'amour est un oiseau rebelle" (Carmen) - Arr. for Piano, World Premiere Recording's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 111 Piano Hits - Vol. 2 (World Premiere Recordings), so we believe that "Carmen: Habanera. "L'amour est un oiseau rebelle" (Carmen) - Arr. for Piano, World Premiere Recording" is a single. Based on our statistics, Carmen: Habanera. "L'amour est un oiseau rebelle" (Carmen) - Arr. for Piano, World Premiere Recording's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Carmen: Habanera. "L'amour est un oiseau rebelle" (Carmen) - Arr. for Piano, World Premiere Recording by Georges Bizet, Cyprien Katsaris is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in C# Minor (Op. 3 No. 2) | Rousseau | D♭ Minor | 3 | 12A | 86 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, Carl Petersson | C Major | 1 | 8B | 140 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Franz Schubert: Schwanengesang, D. 957: IV. Ständchen (Serenade) [Arr. for Piano Solo by Franz Liszt] | Vadim Chaimovich | D Major | 0 | 10B | 69 BPM | ||
Le docteur Miracle: Scene 2: Romance: Me gronder pour cela (Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | E♭ Major | 0 | 5B | 130 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation 18 (Andante cantabile) | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D♭ Major | 1 | 3B | 61 BPM | ||
Ivan Sings "Andantino" | Aram Khachaturian, Christopher Ferreira | A♭ Major | 0 | 4B | 74 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM |