"Massenet: Thaïs, Act 2: "Ah! Je suis seule enfin ... Dis-moi que je suis belle" (Thaïs)" by Jules Massenet, Lorin Maazel, Beverly Sills, New Philharmonia Orchestra was released on January 17, 2005. Since Massenet: Thaïs, Act 2: "Ah! Je suis seule enfin ... Dis-moi que je suis belle" (Thaïs) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 23 in the song's album "The Very Best Of Beverly Sills". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Massenet: Thaïs, Act 2: "Ah! Je suis seule enfin ... Dis-moi que je suis belle" (Thaïs) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Massenet: Thaïs, Act 2: "Ah! Je suis seule enfin ... Dis-moi que je suis belle" (Thaïs) by Jules Massenet, Lorin Maazel, Beverly Sills, New Philharmonia Orchestra having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
Massenet: Hérodiade, Act 2: "Vision fugitive et toujours poursuivie" (Hérode) | Henri Gremont, Jules Massenet, Paul Milliet, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 92 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM |