Eric Schmidt, Jonathan Rosenberg made "Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 5:00, "Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #24 out of 137 tracks. Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 16.2 & Kapitel 17 & Kapitel 18.1 - Wie Google tickt - How Google Works being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave María | Sigvaldi Kaldalóns, Karlakórinn Heimir | G Major | 2 | 9B | 99 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 2, Im Anfange schuf Gott Himmel und Erde | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Tareq Nazmi, MDR Leipzig Radio Choir, Benjamin Bruns | B♭ Major | 3 | 6B | 117 BPM | ||
Aaria, Kun Herra Kulkee Pyhään Kaupunkiin | Markku Liukkonen | C Minor | 2 | 5A | 137 BPM | ||
J.S.Bach - Ch.Gounod. Ave Maria | Lina Mktrchyan (contralto) | C Major | 1 | 8B | 81 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Chorus: Beau chevalier va chercher une amie (Handsome knight, find yourself a lady friend) (Page) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Stabat mater, op.58: 4. Basso e Coro "Fac ut ardeat cor meum" | Antonín Dvořák, Roberto Scandiuzzi, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 1 | 9B | 92 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": VII. Chor: Die Nacht ist vergangen | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath | E Major | 1 | 12B | 72 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Kapitel 50.2 & Kapitel 51.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A Major | 2 | 11B | 82 BPM |