"Variations on a Theme by Haydn, Op. 56a: Theme: "Chorale St. Antoni"" by Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti was released on November 4, 2022. The duration of Variations on a Theme by Haydn, Op. 56a: Theme: "Chorale St. Antoni" is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Variations on a Theme by Haydn, Op. 56a: Theme: "Chorale St. Antoni"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 145 out of 160 in Brahms - A Classical Morning by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Variations on a Theme by Haydn, Op. 56a: Theme: "Chorale St. Antoni" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on a Theme by Haydn, Op. 56a: Theme: "Chorale St. Antoni" by Johannes Brahms, Chicago Symphony Orchestra, Sir Georg Solti is Andante (at a walking pace), since this song has a tempo of 80 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melody in F Major, Op. 3, No. 1 | Anton Rubinstein, Philippe Entremont | F Major | 0 | 7B | 74 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
4 Klavierstücke, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Jeremy Denk | B Minor | 0 | 10A | 68 BPM | ||
Sonata for Viola and Piano No.1 in F minor, Op.120: Andante un poco adagio | Johannes Brahms, Kim Kashkashian, Robert Levin | D♭ Major | 0 | 3B | 80 BPM |