"Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3" by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder was released on January 1, 2014. With this song being about 5 minutes long, at 4:39, "Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3" by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Recomposed By Max Richter: Vivaldi, The Four Seasons". In this album, this song's track order is #13. In terms of popularity, Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3 is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 3 by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes, Op. 28: Prelude No. 4 in E Minor | Katia Labèque | E Minor | 0 | 9A | 73 BPM | ||
Schwanengesang D. 957: No. 13, The Wraith - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | B Major | 0 | 1B | 140 BPM | ||
Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM | ||
Crisantemi | Giacomo Puccini, Brodsky Quartet | F♯ Minor | 0 | 11A | 70 BPM | ||
When Everyone Was Sleeping | Max Richter, Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
String Quartet, Op. 11: II. Molto adagio | Samuel Barber, Ying Quartet | B♭ Minor | 0 | 3A | 90 BPM | ||
Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Mikhail Pletnev | D♭ Minor | 0 | 12A | 71 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen | Franz Schubert, Lauma Skride, Pauline Sachse | D Major | 0 | 10B | 169 BPM | ||
Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM |