On September 8, 1998, the song "II. Vienna, The Monastery" was released by John Corigliano, Esa-Pekka Salonen. With II. Vienna, The Monastery being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "The Red Violin - Music from the Motion Picture". In this album, this song's track order is #6. Based on our statistics, II. Vienna, The Monastery's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With II. Vienna, The Monastery by John Corigliano, Esa-Pekka Salonen having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Grand Macabre (1997 Version): Car Horn Prelude | György Ligeti, Esa-Pekka Salonen, Philharmonia Orchestra | A♭ Major | 0 | 4B | 93 BPM | ||
Symphony No. 3 in D Minor: Part 2, VI. Tempo I. Ruhevoll! | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | D Major | 0 | 10B | 69 BPM | ||
The Four Seasons - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | F Minor | 1 | 4A | 82 BPM | ||
Piano Concerto No. 2 in G Major, Sz. 95: II. Adagio — Presto — Più adagio | Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen | C Major | 0 | 8B | 70 BPM | ||
The Lord of Cries, Act I Scene 1: Lucys Entrance and Jonathans Interrogation | John Corigliano, David Portillo, Matt Boehler, Kathryn Henry, Boston Modern Orchestra Project, Gil Rose | F Major | 2 | 7B | 102 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Brian DePalma Suite: Main Theme from "Casualities of War" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | D Major | 2 | 10B | 77 BPM | ||
Chantefleurs et Chantefables - Song Cycle for Soprano & Orchestra: IX. Le Papillon | Witold Lutosławski, Esa-Pekka Salonen | A♭ Major | 3 | 4B | 144 BPM | ||
The Lord of Cries, Act I Scene 3: The Stranger in Chains | John Corigliano, Jarrett Ott, Matt Boehler, Anthony Roth Costanzo, Boston Modern Orchestra Project, Gil Rose | B♭ Major | 1 | 6B | 80 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM |