"7 Chansons, FP 81: No. 6. Marie (Marie)" by Francis Poulenc, Elora Festival Singers, Noel Edison was released on March 3, 2015. The duration of 7 Chansons, FP 81: No. 6. Marie (Marie) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. 7 Chansons, FP 81: No. 6. Marie (Marie)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Poulenc: Choral Music". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. 7 Chansons, FP 81: No. 6. Marie (Marie) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Chansons, FP 81: No. 6. Marie (Marie) by Francis Poulenc, Elora Festival Singers, Noel Edison having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toréador, FP11 - Chansonhispano-italienne | Francis Poulenc, Christopher Maltman, Malcolm Martineau | G Major | 1 | 9B | 170 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Sarabande | Francis Poulenc, Pierre Laniau | E Minor | 0 | 9A | 81 BPM | ||
Le Bal Masqué: I. Préambule et Air de bravoure | Francis Poulenc, Malcolm Martineau, Thomas Allen, Julian Bliss, Jarek Augustyniak, Simon Desbruslais, Tamsin Waley-Cohen, Gemma Rosefield, David Corkhill, Andrew Barnard, Gary Lovenest, David Cowley | G Major | 3 | 9B | 94 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Gymnopédie No. 1 | Erik Satie, Francis Poulenc | G Major | 0 | 9B | 91 BPM | ||
Trio for Piano, Oboe & Bassoon, FP 43: III. Rondo | Francis Poulenc, Mark Bebbington, Jonathan Davies, John Roberts, Jan Latham-Koenig, Royal Philharmonic Orchestra | A Minor | 1 | 8A | 81 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |