"Acte I: Prélude et choeur d’entrée (Opérette "Rose-Marie")" by Saint Granier, ROGER FERREOL, Paul Bonneau, Duvaleix, Guy Fontagnere, Rogers, Gise Mey, Lina Dachary was released on January 1, 2011. The duration of Acte I: Prélude et choeur d’entrée (Opérette "Rose-Marie") is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Acte I: Prélude et choeur d’entrée (Opérette "Rose-Marie")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Rose-Marie / No, No, Nanette / Annie du Far-West (Collection "Opérette")". In this album, this song's track order is #1. Based on our statistics, Acte I: Prélude et choeur d’entrée (Opérette "Rose-Marie")'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Acte I: Prélude et choeur d’entrée (Opérette "Rose-Marie") by Saint Granier, ROGER FERREOL, Paul Bonneau, Duvaleix, Guy Fontagnere, Rogers, Gise Mey, Lina Dachary having a テンポ of 130 with a half-time of 65 テンポ and a double-time of 260 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rosemonde | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 78 BPM | ||
Offenbach: Bluebeard (Barbe-bleue): V'la z'encor de drol's - Act One | Jacques Offenbach, Henri Legay, Christiane Gayraud, René Lenoty, Rene Terrasson, Monique Stiot, Huguette Hennetier, Jacqueline Marechal, Aimé Doniat, Nicole Briard, Bernard Alvy, Jeanette Levasseur, Jacques Pruvost, Lynda Felder, Lina Dachary, ORTF Lyric Orchestra & Chorus | D Major | 2 | 10B | 126 BPM | ||
La mia canzone al vento | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 120 BPM | ||
Malvina, Act I: Dialogue | Reynaldo Hahn, Lina Dachary, Jacques Jansen, Claudine Collart, Hélène Regelly, Gabrielle Ristori, Renée Castille, Janette Levasseur, Germaine Parat, Henri Bedex, Michel Caron, Bernard Petitjean | D Major | 2 | 10B | 101 BPM | ||
Sounds Of Theme | Ambient Bliss | A♭ Major | 4 | 4B | 115 BPM | ||
Escena final - Primer acto, Pt. 3 | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | E Major | 3 | 12B | 146 BPM | ||
Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
Don Procopio : Acte I, introduction - C'est charmant | Lucien Lovano, Charles Clavensy, Joseph Peyron, Nadine Renaux, Lina Dachary, Eugène Bigot, André Basquin, Gaston Rey | D Major | 5 | 10B | 99 BPM | ||
Sauguet: Les forains: La représentation. Le prestidigitateur et la poupée | Henri Sauguet, Michel Plasson, Orchestre Du Capitole De Toulouse | C Major | 3 | 8B | 82 BPM | ||
Tarantella - From "The Godfather" | Carmine Coppola | D♭ Major | 3 | 3B | 67 BPM |