On 1982, the song "Handel: キーboard Suite in D Minor, HWV 428: I. Prelude" was released by George Frideric Handel, Sviatoslav Richter. With Handel: キーboard Suite in D Minor, HWV 428: I. Prelude being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Andrei Gavrilov/Sviatoslav Richter's "Handel: キーboard Suites Vol. I" album is number 9 out of 38. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Handel: キーboard Suite in D Minor, HWV 428: I. Prelude's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Handel: キーboard Suite in D Minor, HWV 428: I. Prelude by George Frideric Handel, Sviatoslav Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in C, H.XVI No.50: 2. Adagio | Joseph Haydn, Alfred Brendel | D Major | 2 | 10B | 94 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Sonata in G Minor, K. 450: Allegrissimo | Domenico Scarlatti, Ivo Pogorelich | G Minor | 2 | 6A | 100 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: II. Presto | Johann Christian Bach, Daniil Trifonov | A Major | 2 | 11B | 67 BPM | ||
Piano Trio in G, H.XV No.41: 3. Adagio | Franz Joseph Haydn, Beaux Arts Trio | C Major | 1 | 8B | 58 BPM | ||
Preludes, Op. 28: No. 23 in F Major, Moderato | Frédéric Chopin, Grigory Sokolov | F Major | 0 | 7B | 70 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM | ||
12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | ||
Solfeggietto C Minor, Wq.117 ソルフェジエット ハ短調 Wq.117 | C.P.E. Bach, Richard Cardillo, Pianoland | C Minor | 0 | 5A | 99 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM |