"Coronis, Jornada segunda: No. 5, Coronis, Jornada segunda infelice" by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Cyril Auvity had its release date on February 11, 2022. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Coronis, Jornada segunda: No. 5, Coronis, Jornada segunda infelice is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Coronis, Jornada segunda: No. 5, Coronis, Jornada segunda infelice by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Cyril Auvity having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 4. O che felice giorno a voce sola | Giulio Caccini, Ensemble Pygmalion, Sophie Junker, Raphael Pichon | B♭ Major | 1 | 6B | 99 BPM | ||
Christ lag in Todesbanden: IVf. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | D♭ Minor | 1 | 12A | 126 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Atys, LWV 53, Prologue: Air pour la suite de Melpomène | Jean-Baptiste Lully, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Air. Le printemps seul nous procure (Clarice) | Jean-Joseph Cassanéa De Mondonville, Hasnaa Bennani, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | D Major | 7 | 10B | 92 BPM | ||
Coronis, Jornada segunda: No. 19, No, señor, porque Tritón | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Victoire Bunel, Anthea Pichanick, Marielou Jacquard, Caroline Meng, Isabelle Druet | F♯ Major | 4 | 2B | 127 BPM | ||
Fortune and Glory | The Royal Wind Music | A♭ Minor | 2 | 1A | 73 BPM | ||
Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Francesca Lombardi Mazzulli, Cantar Lontano, Marco Mencoboni | D Minor | 0 | 7A | 116 BPM | ||
Te Deum: III. Te per orbem terrarum | Giovanni Bononcini, Owen Rees, Academy of Ancient Music, Helen Charlston | B Minor | 2 | 10A | 71 BPM |