"Lohengrin, WWV 75 / Act 1: "Zum Kampf für eine Magd zu stehen"" by Richard Wagner, Plácido Domingo, Jessye Norman, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Since Lohengrin, WWV 75 / Act 1: "Zum Kampf für eine Magd zu stehen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #9. In terms of popularity, Lohengrin, WWV 75 / Act 1: "Zum Kampf für eine Magd zu stehen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lohengrin, WWV 75 / Act 1: "Zum Kampf für eine Magd zu stehen" by Richard Wagner, Plácido Domingo, Jessye Norman, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Finlandia, Op. 26 | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 1, Scherzo | Felix Mendelssohn, Nikolaus Harnoncourt, Chamber Orchestra of Europe | C Major | 2 | 8B | 90 BPM | ||
Rigoletto / Preludio: Preludio | Giuseppe Verdi, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Minor | 0 | 5A | 64 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Edvard Grieg: V. March of the Trolls: Allegro Marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Kurwenal! He!" | Richard Wagner, Erwin Wohlfahrt, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | B♭ Minor | 1 | 3A | 136 BPM | ||
Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 2 | 6A | 78 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 1. Allegro Vivace | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | B♭ Major | 3 | 6B | 83 BPM |