"Nabucco: Act III - "Va pensiero, sull'ali dorata"" by Giuseppe Verdi, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Staatskapelle Berlin had its release date on 1961. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Song of Joy (The finest choirs)". In this album, this song's track order is #9. In terms of popularity, Nabucco: Act III - "Va pensiero, sull'ali dorata" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nabucco: Act III - "Va pensiero, sull'ali dorata" by Giuseppe Verdi, Chor der Deutschen Staatsoper Berlin, Otmar Suitner, Staatskapelle Berlin having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons - Violin Concerto in F Minor, RV 297, "Winter": II. Largo | Antonio Vivaldi, Florin Paul, Emil Klein | E♭ Major | 0 | 5B | 147 BPM | ||
Rigoletto / Act III: "La donna è mobile" | Giuseppe Verdi, Rolando Villazón, Orchestra del Teatro Regio di Torino, Gianandrea Noseda | F♯ Major | 2 | 2B | 78 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act II: Humming Chorus | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 83 BPM | ||
Signore Delle Cime | Den Akademiska Damkören Linnea & Linköpings Studentsångarförening Lihkören | C Major | 0 | 8B | 74 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Spanish Eyes | Plácido Domingo | B♭ Major | 3 | 6B | 109 BPM | ||
The John Dunbar Theme - From "Dances With Wolves" | The City of Prague Philharmonic Orchestra | E♭ Major | 1 | 5B | 89 BPM | ||
Aida: Gloria all' Egitto ad Iside | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 3 | 5B | 112 BPM | ||
O Mio Babbino Caro | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | A♭ Major | 1 | 4B | 112 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A♭ Major | 1 | 4B | 136 BPM |