Bedřich Smetana, Prague National Theatre Orchestra, Jaroslav Vogel, Ivo Zidek, Karel Kalaš's 'The Bartered Bride, JB 1:100: "Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač" (Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač)' came out on 1956. Since The Bartered Bride, JB 1:100: "Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač" (Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Scény z českých oper. Bedřich Smetana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Czechia. The Bartered Bride, JB 1:100: "Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač" (Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Bartered Bride, JB 1:100: "Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač" (Jeník, Míchův syn z prvního manželství, Kecal, vesnický dohazovač) by Bedřich Smetana, Prague National Theatre Orchestra, Jaroslav Vogel, Ivo Zidek, Karel Kalaš having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Ravel: Miroirs, M. 43: III. Une barque sur l'océan | Maurice Ravel, Bertrand Chamayou | D Major | 1 | 10B | 66 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 1, Andantino | Aram Khachaturian, Charlene Farrugia | G Minor | 8 | 6A | 80 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM |