Johann Christian Bach, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge's 'Bach, JC: Artaserse, Act 2: "Per quel paterno amplesso" (Arbace)' had a release date set for October 27, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 16 in Forgotten Arias by Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JC: Artaserse, Act 2: "Per quel paterno amplesso" (Arbace) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JC: Artaserse, Act 2: "Per quel paterno amplesso" (Arbace) by Johann Christian Bach, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge is Moderato (at a moderate speed), since this song has a tempo of 119 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scylla et Glaucus, Op. 11: Prologue. Pour vous dont je reçois et l'encens et les vœux | Jean-Marie Leclair, d’Albaret, Hasnaa Bennani, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Major | 2 | 3B | 93 BPM | ||
Convocamini, congregamini: No. 5, Franget haec | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
La Giuditta: Part I: Recitative: Nutrice, al fato Assiro cedo Bettulia (Giuditta) | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Le nozze di Figaro, K. 492, Act 4: L'ho perduta me meschina! (Arr. for Countertenor & String Quartet by Eric Mouret) | Wolfgang Amadeus Mozart, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Traetta: L'Olimpiade, Act 2: "Dove son? Che m’avenne?" (Licida) | Tommaso Traetta, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): I. Allegro di molto | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | G Major | 2 | 9B | 92 BPM | ||
Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 3, Rezitativ. "Doch Gott muss mir genädig sein" | Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon | D♭ Minor | 2 | 12A | 101 BPM | ||
Overture No. 2 in D major: 3. Presto | Johann Christian Bach, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 125 BPM | ||
Mysliveček: Adamo ed Eva: "Non sò se il mio peccato" (Eva) | Josef Mysliveček, Vaclav Luks, Sophie Harmsen | E♭ Minor | 1 | 2A | 71 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | E♭ Minor | 3 | 2A | 113 BPM |