Girolamo Frescobaldi, Flanders Recorder Quartet, Guy De Mey's 'Capriccio (Sopra la bassa fiamenga)' came out on April 1, 2006. With this song being about 5 minutes long, at 5:13, "Capriccio (Sopra la bassa fiamenga)" by Girolamo Frescobaldi, Flanders Recorder Quartet, Guy De Mey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 37 in the song's album "Recorder Quartet: Early Italian Recorder Music & English Consort Music". In this album, this song's track order is #7. Capriccio (Sopra la bassa fiamenga) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio (Sopra la bassa fiamenga) by Girolamo Frescobaldi, Flanders Recorder Quartet, Guy De Mey having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM | ||
Lachrimae or Seven Tears: XX. Mrs Nichols's Alman | John Dowland, Phantasm, Elizabeth Kenny | F♯ Minor | 1 | 11A | 168 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Whitehall Minuet: Whitehall Minuet | John Playford, Wolfgang Katschner, Lautten Compagney | D♭ Minor | 2 | 12A | 105 BPM | ||
Suite in G Major: IV. Sarabande: La du haut Menil | Robert de Visée, Yasunori Imamura | B Minor | 0 | 10A | 94 BPM | ||
Mystery (Rosary) Sonata No. 3, "The Nativity": I. Sonata | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B♭ Minor | 1 | 3A | 173 BPM | ||
Lagrimosa beltà | Giovanni Felice Sances, The King's Noyse | A Major | 3 | 11B | 58 BPM | ||
Missa Dolorosa: IV. Sanctus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM |