"Suite for Harp in C Major, Op. 83: I. Overture" by Benjamin Britten, Maria Graf was released on June 22, 2018. The duration of Suite for Harp in C Major, Op. 83: I. Overture is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Suite for Harp in C Major, Op. 83: I. Overture's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 10 in Fauré, Britten, Spohr & Others: Harp Music by Maria Graf. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Suite for Harp in C Major, Op. 83: I. Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite for Harp in C Major, Op. 83: I. Overture by Benjamin Britten, Maria Graf is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Trittico botticelliano, P. 151: I. La primavera | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | A Major | 1 | 11B | 130 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
2 Pieces for Small Orchestra: Summer Night on the River | Frederick Delius, Symphony Nova Scotia, Georg Tintner | A Major | 0 | 11B | 57 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
3 Bavarian Dances: No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Minor | 2 | 11A | 145 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Stabat Mater, FP 148: 12. Quando corpus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A♭ Minor | 1 | 1A | 94 BPM |