"Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo" by Max Reger, Staatskapelle Dresden, Heinz Bongartz was released on January 1, 1972. The duration of Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Reger: Variations and Fugue on a Theme of Mozart". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1 - L'istesso tempo by Max Reger, Staatskapelle Dresden, Heinz Bongartz having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | ||
5 Choralkantaten, WoO V/4: Nr. 4, Meinen Jesum laß ich nicht | Max Reger, Dorothea Wagner, Dietrich Reinhold, Norbert Tunze, GewandhausChor, Michael Schönheit, Gregor Meyer | E Minor | 2 | 9A | 134 BPM | ||
8 Geistliche Gesänge, Op. 138: No. 6, Das Agnus Dei | Max Reger, Singer Pur | E Major | 1 | 12B | 87 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM |