"Brandenburg Concerto No. 3 in G, BWV 1048: 2. Adagio" by Johann Sebastian Bach, Gewandhausorchester, Riccardo Chailly was released on January 1, 2010. With Brandenburg Concerto No. 3 in G, BWV 1048: 2. Adagio being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 19 in Bach: Brandenburg Concertos by Johann Sebastian Bach, Gewandhausorchester, Riccardo Chailly. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Brandenburg Concerto No. 3 in G, BWV 1048: 2. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brandenburg Concerto No. 3 in G, BWV 1048: 2. Adagio by Johann Sebastian Bach, Gewandhausorchester, Riccardo Chailly is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No 2 in E minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 89 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude | Anonymous , Johann Sebastian Bach, Daxun Zhang | B Minor | 1 | 10A | 135 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Les Calotines (19e ordre) | François Couperin, Alexandre Tharaud | D Major | 2 | 10B | 112 BPM | ||
Overture in G Minor, BWV 822: VII. Menuet III (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 115 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 6 in A Minor for Violin, RV 356: 2. Largo | Antonio Vivaldi, Catherine Mackintosh, Christopher Hogwood, Academy of Ancient Music | D♭ Minor | 0 | 12A | 72 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.13 in F sharp major BWV858 | Daniel Barenboim | E♭ Minor | 0 | 2A | 142 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM |