Fritz Wunderlich's 'Alle Tage ist kein Sonntag' came out on 2017. The duration of Alle Tage ist kein Sonntag is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Alle Tage ist kein Sonntag's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Alle Tage ist kein Sonntag is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alle Tage ist kein Sonntag by Fritz Wunderlich having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
Die Entführung aus dem Serail, K. 384 / Act III: "Nie werde ich deine Huld verkennen" | Wolfgang Amadeus Mozart, Erika Köth, Lotte Schädle, Fritz Wunderlich, Friedrich Lenz, Kurt Böhme, Bavarian State Orchestra, Eugen Jochum, Chor der Bayerischen Staatsoper München | G Major | 6 | 9B | 73 BPM | ||
Tosca: Wie sich die Bilder gleichen | Giacomo Puccini, Fritz Wunderlich, Richard Kraus | F Minor | 1 | 4A | 84 BPM | ||
Elias, Op. 70, MWV A25, Part II: No. 38, Chorus "Und der Prophet Elias brach hervor wie ein Feuer" | Felix Mendelssohn, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées | D Major | 3 | 10B | 109 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 2: No. 12, Kavatine, "Und ob die Wolke sie verhülle" (Agathe) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | F Major | 1 | 7B | 110 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Qui tollis peccata mundi | Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 0 | 6B | 120 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "For He shall give His angels charge" | Felix Mendelssohn, Edinburgh Festival Chorus, Patricia Bardon, Renée Fleming, John Mark Ainsley, Libby Crabtree, Sara Fulgoni, John Bowen, Geoffrey Moses, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 2 | 9B | 62 BPM | ||
Durch diesen Kuss sei unser Bund geweiht | Fritz Wunderlich | E Major | 2 | 12B | 73 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM |