"Cello Sonata No. 2, Op. 84: II. Intermezzo: Comodo" by Nikolai Kapustin, Christine Rauh, Benyamin Nuss had its release date on March 4, 2016. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Nikolai Kapustin, Christine Rauh, Nicholas Collon's "Kapustin: Works for Cello" album is number 5 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Cello Sonata No. 2, Op. 84: II. Intermezzo: Comodo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cello Sonata No. 2, Op. 84: II. Intermezzo: Comodo by Nikolai Kapustin, Christine Rauh, Benyamin Nuss to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
3 Ghost Rags: No. 1. The Graceful Ghost | William Bolcom, Spencer Myer | B♭ Minor | 0 | 3A | 116 BPM | ||
Piano Concerto: III. Exposition | Teddy Abrams, Yuja Wang, Louisville Orchestra | F Minor | 3 | 4A | 92 BPM | ||
ピアノバトル:エチュード「黒鍵」〜エチュード「木枯らし」〜ワルツ第7番 より | アンセットシス | A♭ Major | 2 | 4B | 107 BPM | ||
Images I, L. 110: 2. Hommage à Rameau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 69 BPM | ||
7 Preludes, Op. 17: VII. Prelude No. 7 in G Minor: Allegro assai | Alexander Scriabin, Evgeny Zarafiants | B Minor | 3 | 10A | 87 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | ||
Liebesleid | Sergei Rachmaninoff, Zenph Studios | C Major | 1 | 8B | 111 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM |