Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel's 'Le Bourgeois Gentilhomme (1670): Chaconne des Scaramouches, Frivelins et Arlequins' came out on January 1, 2000. With Le Bourgeois Gentilhomme (1670): Chaconne des Scaramouches, Frivelins et Arlequins being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 20 out of 35. Le Bourgeois Gentilhomme (1670): Chaconne des Scaramouches, Frivelins et Arlequins is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Bourgeois Gentilhomme (1670): Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
Flute Concerto in C Minor, QV 5:38: I. Allegro | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Minor | 2 | 3A | 96 BPM | ||
Sinfonia No. 10 in C Major: III. Non tanto largo | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 1 | 9A | 114 BPM | ||
Sinfonia a Cinque | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | G Major | 1 | 9B | 79 BPM | ||
Concerto in D Minor for Oboe, Strings and Basso continuo: III. Presto | Alessandro Marcello, Frans Brüggen, L'arpa Festante | D♭ Minor | 3 | 12A | 111 BPM | ||
Marcello, A.: Oboe Concerto in D Minor: I. Allegro moderato (Arr. for Trumpet in C Minor) | Alessandro Marcello, Alison Balsom, Scottish Ensemble | C Minor | 1 | 5A | 79 BPM | ||
Concerto in G Major, No. 4, RV 435: I. Allegro | Antonio Vivaldi, Frans Brüggen, Orchestra Of The 18th Century | D♭ Major | 0 | 3B | 97 BPM | ||
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi - Andantino | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 0 | 1B | 89 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM |