"La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène IV - Chant de la Fête de Pâques. "Christ vient de ressusciter!"" by Hector Berlioz, London Symphony Orchestra, Giuseppe Sabbatini, London Symphony Chorus, Sir Colin Davis was released on November 30, 2018. La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène IV - Chant de la Fête de Pâques. "Christ vient de ressusciter!" is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 5 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène IV - Chant de la Fête de Pâques. "Christ vient de ressusciter!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène IV - Chant de la Fête de Pâques. "Christ vient de ressusciter!" by Hector Berlioz, London Symphony Orchestra, Giuseppe Sabbatini, London Symphony Chorus, Sir Colin Davis is Larghetto (rather broadly), since this song has a tempo of 64 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Lelio ou le retour à la vie, Op. 14b, H.55: 4. Chant de bonheur | Hector Berlioz, Lambert Wilson, Gordon Gietz, Jennifer Schwartz, Orchestre Symphonique de Montréal, Charles Dutoit | A Major | 0 | 11B | 78 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM |