Harold Faltermeyer made "Top Gun Anthem (The Intro) - 2016 Composers Cut" available on September 9, 2016. The duration of Top Gun Anthem (The Intro) - 2016 Composers Cut is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Top Gun Anthem (The Intro) - 2016 Composers Cut's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Best Of Harold Faltermeyer Composers Cut Vol 1". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Top Gun Anthem (The Intro) - 2016 Composers Cut is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Top Gun Anthem (The Intro) - 2016 Composers Cut by Harold Faltermeyer having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Main Titles (You’ve Been Called Back to Top Gun) | Harold Faltermeyer, Lady Gaga, Hans Zimmer, Lorne Balfe | D Major | 4 | 10B | 107 BPM | ||
Massacre Highlights | Harold Faltermeyer | E Major | 4 | 12B | 137 BPM | ||
The Kiss | Harold Faltermeyer | B Minor | 9 | 10A | 153 BPM | ||
Main Title | Joe Kraemer | D♭ Major | 1 | 3B | 83 BPM | ||
Up the Mountain | Vince DiCola | A♭ Major | 8 | 4B | 136 BPM | ||
Really Pissed Off (End Credits) | Tyler Bates, Joel J. Richard | G Major | 7 | 9B | 175 BPM | ||
Midway Main Theme | Thomas Wander, Harald Kloser | G Major | 1 | 9B | 175 BPM | ||
Witness (Main Title) / Journey To Baltimore | Maurice Jarre | A Minor | 1 | 8A | 78 BPM | ||
Shoot Out | Harold Faltermeyer | F♯ Minor | 9 | 11A | 107 BPM | ||
The Breakaway | Lee Ritenour, Greg Mathieson | G Major | 7 | 9B | 142 BPM |