"Amélie Vals (1846)" by Hans Christian Lumbye, Tivoli Symphony Orchestra was released on December 10, 1997. Amélie Vals (1846) appears to be safe for all ages as it is not explicit. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 1" album is number 11 out of 16. The popularity of Amélie Vals (1846) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Amélie Vals (1846) by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 174 テンポ, a half-time of 87テンポ, and a double-time of 348 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Peer Gynt Suite No. 2, Op. 55: II. Arabisk dans (Arabian Dance) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | C Major | 1 | 8B | 137 BPM | ||
Music for the Royal Fireworks, HWV 351: V. La Réjouissance. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 5 | 10B | 113 BPM | ||
Mascagni: Cavalleria rusticana: Preludio (Andante sostenuto) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 93 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Napoli: Act I: The street singer Pascarillo entertains everyone | Hans Christian Lumbye, Holger Simon Paulli, Niels Gade, Edvard Helsted, Signe Madsen, Lars Ole Schmidt, Aalborg Symphony Orchestra, Peter Ernst Lassen | F Minor | 1 | 4A | 143 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Joyeuse marche: Marche joyeuse | Emmanuel Chabrier, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 3 | 8B | 121 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VIII. in G minor. Presto | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM |