"Louise: Scène VIII: Marchand d'habits! avez-vous... - Voice" by Gustave Charpentier, New Philharmonia Orchestra, Georges Prêtre was released on 1976. With Louise: Scène VIII: Marchand d'habits! avez-vous... - Voice being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 38 in Charpentier: Louise - The Sony Opera House by Gustave Charpentier, Georges Prêtre. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Louise: Scène VIII: Marchand d'habits! avez-vous... - Voice is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Louise: Scène VIII: Marchand d'habits! avez-vous... - Voice by Gustave Charpentier, New Philharmonia Orchestra, Georges Prêtre is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114, B. 203 / Act 1: "O Silver Moon" | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 61 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Puccini: La rondine, Act 2: "Bevo al tuo fresco sorriso" (Ruggero, Magda, Lisette, Prunier, Chorus) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Louise, Act I Scene I: O Coeur ami! O Coeur promis (Recorded 1935) | Gustave Charpentier, Ninon Vallin, Georges Thill, André Pernet, Aimée Lecouvreur, Christiane Gaudel, Eugène Bigot, Les Choeurs Raugel and Orchestra | F Major | 3 | 7B | 84 BPM | ||
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
La Sonnambula (1997 - Remaster): Aria - Ah! non credea mirarti | Vincenzo Bellini, Tullio Serafin, Maria Callas | C Major | 1 | 8B | 81 BPM | ||
Louise: Depuis le jour (Arr. for Bassoon & Harp by Emily Levin & Ted Soluri) | Gustave Charpentier, Ted Soluri, Emily Levin | D♭ Major | 0 | 3B | 129 BPM | ||
The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM |