Amor Artis Chorale's 'Requiem, K. 626: I. Requiem (Introit)' came out on April 27, 2004. Since Requiem, K. 626: I. Requiem (Introit) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 1 out of 25. On top of that, United States appears to be the country where this track was created. Requiem, K. 626: I. Requiem (Introit) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, K. 626: I. Requiem (Introit) by Amor Artis Chorale to be Lento (slowly) because the track has a tempo of 58 テンポ, a half-time of 29テンポ, and a double-time of 116 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata "Der fried sei mit dir" BWV 158 | John Ostendorf, Ruth Waterman, Virginia Brewer, Amor Artis Chorale, Amor Artis Baroque Orchestra, Johannes Somary | C Minor | 1 | 5A | 91 BPM | ||
Requiem aeternam: Rex tremendae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 86 BPM | ||
Christus am Ölberge, Op. 85: Preiset des Erlösers Güte | Ludwig van Beethoven, Simone Kermes, Das Neue Orchester, Christoph Spering | C Major | 3 | 8B | 114 BPM | ||
Così fan tutte, K.588, Act I: Aria. "Come scoglio immoto resta" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Messe en La Bémol Majeur, D. 678: III. Credo | Franz Schubert, Philippe Herreweghe, RIAS Kammerchor, Orchestre des Champs-Élysées | F Major | 2 | 7B | 101 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | E♭ Minor | 3 | 2A | 113 BPM | ||
Alcina, HWV 34, Act III: Non è amor | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Magdalena Kozená, Elizabeth DeShong, Anna Bonitatibus | D♭ Minor | 0 | 12A | 84 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Qual vita e questa mai" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Sanctus | Alessandro Gozzo, Cats Rule the World | D Major | 1 | 10B | 95 BPM | ||
Kuhnau: Magnificat in C Major: XIII. Chorus. "Sicut locutus est" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM |