Ethel Smyth, Annette-Barbara Vogel, Durval Cesetti's 'Violin Sonata in A Minor, Op. 7: I. Allegro moderato' had a release date set for August 20, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 11 in First Ladies: Three Romantic Violin Sonatas by Annette-Barbara Vogel, Durval Cesetti. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Violin Sonata in A Minor, Op. 7: I. Allegro moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata in A Minor, Op. 7: I. Allegro moderato by Ethel Smyth, Annette-Barbara Vogel, Durval Cesetti is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ludus Tonalis: I. Praeludium (Moderato - Arioso, tranquillo - Lento - Solenne, largo) | Paul Hindemith, Alena Cherny | E Minor | 1 | 9A | 59 BPM | ||
String Quartet in C Minor: IV. Allegro | Ethel Smyth, The Maier Quartet, Henrik Peterson | F Minor | 1 | 4A | 141 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Epilogue (March of the Women with La Folia variation) | Brian Grimm, Ethel Smyth | B♭ Major | 2 | 6B | 98 BPM | ||
Der Wald: VII. Scene VI | Ethel Smyth, Claire Barnett-Jones, Morgan Pearse, BBC Singers, BBC Symphony Orchestra, John Andrews | G Minor | 4 | 6A | 96 BPM | ||
Bach, JS / Transcr. Stokowski for Orchestra: Was mir behagt, BWV 208 "Jagdkantate": No. 9, Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 3 | 10B | 127 BPM | ||
Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso | Classic FM Orchestra | E♭ Major | 4 | 5B | 124 BPM | ||
Tippett: Concerto for Double String Orchestra: III. Allegro molto | Michael Tippett, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | ||
Norwegian Dances, Op. 35: No. 2 in A Major | Edvard Grieg, Hans Sitt, Iceland Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 106 BPM | ||
Sonate Op. 64: III. Adagio | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 90 BPM |