Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle's 'Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold)' came out on November 7, 1994. The duration of Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Elgar: Orchestral Works by City Of Birmingham Symphony Orchestra, Sir Simon Rattle. Based on our statistics, Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op.36 'Enigma': V. R.P.A. (Richard Penrose Arnold) by Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Partita for Violin Solo No. 1 in B Minor, BWV 1002: 4. Double. Presto | Johann Sebastian Bach, Hilary Hahn | B Minor | 5 | 10A | 144 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Major | 2 | 7B | 122 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM |