"Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. Antonsen and Marshall for Trumpet and Organ)" by Johann Sebastian Bach, Wayne Marshall, Ole Edvard Antonsen was released on August 21, 2023. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Pulling Out the Stops! Popular Pieces for Trumpet and Organ". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. Antonsen and Marshall for Trumpet and Organ) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Arr. Antonsen and Marshall for Trumpet and Organ) by Johann Sebastian Bach, Wayne Marshall, Ole Edvard Antonsen having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Arr. Antonsen and Marshall for Trumpet and Organ) | Sergei Rachmaninoff, Wayne Marshall, Ole Edvard Antonsen | B Minor | 0 | 10A | 68 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
A:4 Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, C. P. E. Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Suite No. 3 en ré majeur, BWV. 1068: Air | Johann Sebastian Bach, Orchestre symphonique de Radio Télé Luxembourg, Leopold Hager, Vassil Ivanov, Norbert Mattern, Jean de Ridder, Elisabeth Parcells | E Major | 1 | 12B | 133 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Vivaldi / Arr Balsom: Violin Concerto in A Minor, RV 356: II. Largo | Antonio Vivaldi, Alison Balsom, Scottish Ensemble | D Minor | 0 | 7A | 77 BPM | ||
Oblivion | Håkan Hardenberger, Academy of St. Martin in the Fields, Kenneth Sillito | C Minor | 0 | 5A | 65 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: III. Allegro | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM |