Judith Weir, Christopher Bowen, Edward Goater, Edward Price, BBC Symphony Orchestra, Martyn Brabbins's ' "The Vanishing Bridegroom, Act I: The Dying Man Dies" was released on its scheduled release date, September 2, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Wier: The Vanishing Bridegroom by Judith Weir, Various Artists, Martyn Brabbins, BBC Symphony Orchestra. The song's track number on the album is #4 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, The Vanishing Bridegroom, Act I: The Dying Man Dies's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since The Vanishing Bridegroom, Act I: The Dying Man Dies by Judith Weir, Christopher Bowen, Edward Goater, Edward Price, BBC Symphony Orchestra, Martyn Brabbins has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Vanishing Bridegroom, Act I: The Dying Man Dies being at 137 テンポ, the half-time would be 68 テンポ with a double-time of 274 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Moonlit Melody | SERRENTO | A Minor | 0 | 8A | 90 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Nipponari, H. 68 "Japanese Folk Songs": No. 5, Stopy ve sněhu | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | D Major | 1 | 10B | 62 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM | ||
The Tree of Peace | Judith Weir, Thomas Corns | D♭ Major | 0 | 3B | 68 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM |