"The Worship of God - For Chorus & Orchestra" by Philadelphia Orchestra, Eugene Ormandy, Temple University Concert Choir was released on November 6, 2015. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "The Christmas Collection - Carols and Hymns". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, The Worship of God - For Chorus & Orchestra is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Worship of God - For Chorus & Orchestra by Philadelphia Orchestra, Eugene Ormandy, Temple University Concert Choir having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Danse des nounous (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 3 | 8B | 122 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | C Major | 2 | 8B | 97 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Wachet auf, ruft uns die Stimme, BWV 140 "Sleepers Awake": I. Wachet auf, ruft uns die Stimme (Arr. E. Ormandy for Orchestra) | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E♭ Major | 2 | 5B | 109 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
The Godfather: V. Love Theme | Nino Rota, Riccardo Muti, Milan La Scala Philharmonic Orchestra | D♭ Major | 1 | 3B | 88 BPM | ||
2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 3 | 4B | 82 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | D Minor | 3 | 7A | 107 BPM | ||
Fontane di Roma: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 78 BPM |