Peter Sculthorpe, Stephen Kent, Del Sol String Quartet's 'String Quartet No. 14, "Quamby": III. On High Hills' came out on September 30, 2014. With this song being about 5 minutes long, at 4:45, "String Quartet No. 14, "Quamby": III. On High Hills" by Peter Sculthorpe, Stephen Kent, Del Sol String Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Sculthorpe: The Complete String Quartets with Didjeridu". In this album, this song's track order is #4. String Quartet No. 14, "Quamby": III. On High Hills is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 14, "Quamby": III. On High Hills by Peter Sculthorpe, Stephen Kent, Del Sol String Quartet having a テンポ of 75 with a half-time of 38 テンポ and a double-time of 150 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Postludes for Piano & String Orchestra: No. 1. Larghetto - Andante | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 95 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
The Hours: An Unwelcome Friend (From "The Hours") | Philip Glass, Nicolas Horvath | G Minor | 0 | 6A | 74 BPM | ||
Nocturne (Arr. for Solo Violin and Piano) | Dobrinka Tabakova, Mari Samuelsen, Julien Quentin | C Minor | 5 | 5A | 122 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Port Essington: IV. Nocturnal: Estrangement (Tristemente - Con ferocità) | Peter Sculthorpe, Cameron Retchford, Helena Rathbone, Richard Tognetti, Australian Chamber Orchestra | E Major | 1 | 12B | 79 BPM | ||
Passage | Joep Beving | G Major | 0 | 9B | 60 BPM | ||
The Piano: Big My Secret | Michael Nyman, Valentina Lisitsa | D Major | 0 | 10B | 85 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
much loved | Rachel Portman | E Major | 0 | 12B | 144 BPM |