Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons's 'Symphony No. 1 in F Minor, Op. 10: II. Allegro' came out on June 25, 2021. With this song being about 5 minutes long, at 4:51, "Symphony No. 1 in F Minor, Op. 10: II. Allegro" by Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Shostakovich: Symphonies Nos. 1, 14 & 15; Chamber Symphony in C Minor". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Symphony No. 1 in F Minor, Op. 10: II. Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphony No. 1 in F Minor, Op. 10: II. Allegro by Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 1 | 7A | 127 BPM | ||
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B♭ Major | 1 | 6B | 96 BPM | ||
Walt Whitman, Op. 7 | Gustav Holst, Ulster Orchestra, Joann Falletta | A Major | 1 | 11B | 126 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Symphony No. 1 in E Minor, Op. 39: III. Scherzo. Allegro | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Don Quixote, Op. 35, TrV 184: Introduction | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 1 | 10B | 92 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: III. The Liberation of Dresden | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 2 | 11B | 74 BPM | ||
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM | ||
Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 3 | 9B | 111 BPM |