Johann Strauss I, Wiener Biedermeier Solisten made "Chineser-Galopp, Op. 20" available on December 20, 1997. With Chineser-Galopp, Op. 20 being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wiener Gemüths-Walzer by Wiener Biedermeier Solisten. The song's track number on the album is #16 out of 16 tracks. Based on our data, Austria was the country where this track was produced or recorded. Based on our statistics, Chineser-Galopp, Op. 20's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Chineser-Galopp, Op. 20 by Johann Strauss I, Wiener Biedermeier Solisten has a tempo of 152 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Chineser-Galopp, Op. 20 being at 152 テンポ, the half-time would be 76 テンポ with a double-time of 304 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Wilhelm Tell Galopp, Op. 29b | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | E Major | 6 | 12B | 149 BPM | ||
Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
Josephstadter-tanze, Op. 23 | Slovak Sinfonietta, Zilina, Johann Strauss I | F Major | 0 | 7B | 151 BPM | ||
Rachmaninov: Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto (Excerpt) | Sergei Rachmaninoff, Mariss Jansons, St. Petersburg Philharmonic Orchestra | D Minor | 2 | 7A | 110 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Moment musical in F Minor, Op. 94, No. 3 | Franz Schubert, Philippe Entremont | A♭ Major | 1 | 4B | 100 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Le Matin | Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 67 BPM | ||
Ungarische Galoppe Oder Frischka, Op. 36: No. 2 In A Major | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 1 | 12B | 170 BPM |