Leo Brouwer, Ricardo Cobo made "Estudios sencillos: First Series: IV" available on September 9, 1997. With Estudios sencillos: First Series: IV being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 35 in Brouwer: Guitar Music, Vol. 1 - Estudios Sencillos / Tres Apuntes / Cancion De Cuna by Leo Brouwer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Estudios sencillos: First Series: IV's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Estudios sencillos: First Series: IV by Leo Brouwer, Ricardo Cobo is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
Ronsard (De Platero y Yo) | Castelnuevo-Tedesco, Andrés Segovia | D Major | 0 | 10B | 102 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 2. Andante | Antonio Vivaldi, Angel Romero, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown | E Minor | 1 | 9A | 182 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
Bachianinha No. 2 / Araponga (Arr. for Guitar by Sérgio Assad) | Paulinho Nogueira, Luiz Gonzaga, Plínio Fernandes | E Minor | 3 | 9A | 81 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
Cancion de cuna | Leo Brouwer, Vicente Coves | G Major | 0 | 9B | 67 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM |