On January 1, 1996, the song "Bill Bailey / When The Saints Go Marching In / Hello My Baby / A Hot Time In The Old Town Tonight" was released by London Concert Orchestra, Andy Vinter. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Good Old Days". In this album, this song's track order is #12. In terms of popularity, Bill Bailey / When The Saints Go Marching In / Hello My Baby / A Hot Time In The Old Town Tonight is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bill Bailey / When The Saints Go Marching In / Hello My Baby / A Hot Time In The Old Town Tonight by London Concert Orchestra, Andy Vinter having a テンポ of 113 with a half-time of 56 テンポ and a double-time of 226 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra | C Major | 3 | 8B | 181 BPM | ||
Violinromanze Nr. 2 F-Dur, Op. 50: Romance No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Miklos Szenthelyi, Hungarian National Philharmonic, György Gyorivanyi-Rath | A♭ Major | 4 | 4B | 159 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Vladimir Fedoseyev, Moscow RTV Symphony Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - Pesante | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 2 | 9B | 101 BPM | ||
Aria (From "Suite No. 3") - Remasterizado | Johann Sebastian Bach, Luis Cobos | D Major | 2 | 10B | 83 BPM | ||
Fantasie Impromtu, Op. 66 (Chopin) | Anna Malikova | D♭ Major | 1 | 3B | 78 BPM | ||
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | E Major | 0 | 12B | 87 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
An der schönen blauen Donau, Op. 314 - Excerpt | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 2 | 10B | 100 BPM |