"Mignon / Act I: "Connais-tu le pays"" by Ambroise Thomas, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado was released on November 4, 2016. Mignon / Act I: "Connais-tu le pays" is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Revive". In this album, this song's track order is #9. Mignon / Act I: "Connais-tu le pays" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mignon / Act I: "Connais-tu le pays" by Ambroise Thomas, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | ||
Bizet: Carmen, Act 1:"Avec la garde montante, nous arrivons, nous voilà!" (Enfants) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor und Kinderchor der Deutschen Staatsoper Berlin | D Minor | 1 | 7A | 122 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 4. Allegro vivace | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 2 | 6B | 78 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
La Fille mal gardée, Act I: 1. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 95 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 3. Skocná. Allegro | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | F Major | 3 | 7B | 97 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
La clemenza di Tito, K. 621: S'altro che lacrime | Wolfgang Amadeus Mozart, Regula Mühlemann, Umberto Benedetti Michelangeli | D Major | 1 | 10B | 100 BPM | ||
Hamlet / Act 4: Danse villageoise | Ambroise Thomas, Chorus of the Welsh National Opera, Welsh National Opera Orchestra, Richard Bonynge | G Major | 2 | 9B | 121 BPM |