"Symphony No. 3 "Kaddish": IIId. Fugue" by Leonard Bernstein, Kelley Nassief, The Maryland State Boychoir, The Washington Chorus, Baltimore Symphony Orchestra, Marin Alsop was released on November 6, 2015. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 15 in Bernstein: Symphony No. 3 "Kaddish" by Leonard Bernstein, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Symphony No. 3 "Kaddish": IIId. Fugue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 "Kaddish": IIId. Fugue by Leonard Bernstein, Kelley Nassief, The Maryland State Boychoir, The Washington Chorus, Baltimore Symphony Orchestra, Marin Alsop is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
On the Town: I. The Great Lover | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 109 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Symphony No. 5 in D Minor, Op. 47: III. Largo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 64 BPM | ||
A Quiet Place, Act II: June Twelfth - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, Chester Ludgin, John Brandstetter, Vienna Radio Symphony Orchestra | G Major | 1 | 9B | 136 BPM | ||
Vol. VI - The Poetry of Earth: But Why This Particular Misalliance | Various Artists, Leonard Bernstein | C Major | 2 | 8B | 81 BPM | ||
Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 137 BPM |