Kurt Weill made "Zuhalterballade" available on January 1, 2000. With Zuhalterballade being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 20 in Die Dreigroschenoper by Kurt Weill. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Zuhalterballade's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Zuhalterballade by Kurt Weill is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 4. Allegro con brio | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | A♭ Major | 4 | 4B | 82 BPM | ||
Valse triste, Op. 44, No. 1 (From "Kuolema") | Jean Sibelius, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 1 | 3B | 60 BPM | ||
Misatango, Misa a Buenos Aires: XI. Sanctus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Minor | 2 | 6A | 96 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Cold Song’ (What Power Art Thou...) | Henry Purcell, Voces8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
Lohengrin, WWV. 75: Prelude to Act I | Richard Wagner, Philadelphia Orchestra, Christian Thielemann | B Major | 1 | 1B | 72 BPM | ||
La Fille aux Cheveux de Lin | Claude Debussy, I Salonisti | G Major | 0 | 9B | 176 BPM | ||
First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM |