"Orchestral Suite from Francesca, Act I: Roeping" by August de Boeck, Janacek Philharmonic Orchestra, Ivo Venkov was released on October 11, 2011. Since Orchestral Suite from Francesca, Act I: Roeping is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in August de Boeck, Janacek Philharmonic Orchestra, Ivo Venkov, Jozef De Beenhouwer's "In Flanders' Fields Vol. 71: Music of August De Boeck" album is number 5 out of 8. Orchestral Suite from Francesca, Act I: Roeping is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orchestral Suite from Francesca, Act I: Roeping by August de Boeck, Janacek Philharmonic Orchestra, Ivo Venkov to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs: Méditation (Arr. for String Ensemble by Kuan-Yu Huang and Mayumi Seiler) | Jules Massenet, Mayumi Seiler, Hee-Soo Yoon, Isabel Lago, Radia, Rachel Mercer, Joe Phillips, Ben Albertson | A♭ Major | 1 | 4B | 142 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVII. Gavotta with Two Variations | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Barocco Suite No. 5 for Chamber Orchestra, Op. 23: IV. Pastorale e Gagliarda | Kurt Atterberg, Örebro Chamber Orchestra, Thord Svedlund, Mikael Bergek | A Major | 0 | 11B | 74 BPM | ||
Spring Nocturne | Frederick Laurence, Anna Tilbrook, Jack Liebeck | E Minor | 0 | 9A | 97 BPM | ||
Abbey Road concerto for Violin and Orchestra: V. Something | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
Bright Horizon | Miljan Minic, Chords And Hearts | C Minor | 0 | 5A | 74 BPM | ||
Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM |