Giovanni Zamboni, Luciano Còntini's 'Lute Sonata No. 9: V. Gavotta' came out on April 1, 2014. With Lute Sonata No. 9: V. Gavotta being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Zamboni: Sonatas for Lute by Giovanni Zamboni, Luciano Còntini. The song's track number on the album is #5 out of 31 tracks. Based on our statistics, Lute Sonata No. 9: V. Gavotta's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Lute Sonata No. 9: V. Gavotta by Giovanni Zamboni, Luciano Còntini has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lute Sonata No. 9: V. Gavotta being at 129 テンポ, the half-time would be 64 テンポ with a double-time of 258 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Little Consort, Suite No. 10 in D Minor and D Major: I. Pavan | Matthew Locke, Phantasm, Elizabeth Kenny | E Major | 0 | 12B | 87 BPM | ||
Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Intavolatura di Liuto, et di Chitarrone, Book 1: Toccata XII | Alessandro Piccinini, Luciano Còntini | G Major | 1 | 9B | 110 BPM | ||
Ayres for the Violin (arr. for guitar): Aria I | Nicola Matteis, Pierre Pitzl | B Minor | 2 | 10A | 86 BPM | ||
Suite No. 3 in G Major (Orig. C Major), BWV 1009: V. Bourées I and II | Michael Nicolella | G Major | 2 | 9B | 73 BPM | ||
La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM | ||
Fuga e due liuti | Vincenzo Galilei, Massimo Lonardi, Ugo Nastrucci | C Major | 1 | 8B | 87 BPM | ||
Prelude, Fugue and Allegro in E-Flat Major, BWV 998: III. Allegro | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Gagliarda 12a | Giovanni Girolamo Kapsberger, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Tiento (Segundo Tono) | Alonso Mudarra, Hopkinson Smith | F♯ Minor | 1 | 11A | 48 BPM |