Carlos Gardel made "La Canción De Buenos Aires" available on January 1, 2001. The duration of La Canción De Buenos Aires is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. La Canción De Buenos Aires's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carlos Gardel's "La Historia Completa De Carlos Gardel - Volumen 22" album is number 3 out of 18. Based on our statistics, La Canción De Buenos Aires's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of La Canción De Buenos Aires by Carlos Gardel to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Que tarde que has venido | Argentino Ledesma | G Minor | 5 | 6A | 113 BPM | ||
Chorra | Edmundo Rivero | C Minor | 4 | 5A | 60 BPM | ||
Tarde | Chino Laborde, Federico Mizrahi | D Minor | 4 | 7A | 129 BPM | ||
Amor Y Primavera | Francisco Canaro Y Su Orquesta Tipica | B♭ Minor | 2 | 3A | 170 BPM | ||
Confesión (with Leopoldo Federico y Su Orquesta) | Julio Sosa, Leopoldo Federico y su Orquesta | A Minor | 5 | 8A | 109 BPM | ||
Triste comedia | Orquesta Rodolfo Biagi, Hugo Duval, Héctor Stamponi, Oscar Rubens | C Major | 2 | 8B | 126 BPM | ||
Atenti, Pebeta | Edmundo Rivero | C Major | 3 | 8B | 119 BPM | ||
Detrás de los Cerros | Orquesta Los Crayones | D♭ Minor | 1 | 12A | 79 BPM | ||
Desencuentro | Roberto Goyeneche | B Minor | 4 | 10A | 114 BPM | ||
Sentimiento Gaucho | Francisco Lomuto | A Major | 2 | 11B | 126 BPM |