Giovanni Antonio Guido, Dorothee Oberlinger's 'Scherzi Armonici sopra le quattro stagioni, L'Hyver: VII. Allegro. - Prestissimo - Allegro. Bannisons la tristesse' came out on November 4, 2022. With Scherzi Armonici sopra le quattro stagioni, L'Hyver: VII. Allegro. - Prestissimo - Allegro. Bannisons la tristesse being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Pastorale". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Scherzi Armonici sopra le quattro stagioni, L'Hyver: VII. Allegro. - Prestissimo - Allegro. Bannisons la tristesse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scherzi Armonici sopra le quattro stagioni, L'Hyver: VII. Allegro. - Prestissimo - Allegro. Bannisons la tristesse by Giovanni Antonio Guido, Dorothee Oberlinger having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sei Introduttioni teatrali, Op. 4, No. 1: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | D♭ Major | 3 | 3B | 130 BPM | ||
Concerto No. 4 for Violin, Strings & Continuo in E Minor, Op. 1.7: I. Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Minor | 3 | 9A | 104 BPM | ||
Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: III. Allegro | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: V. Allegro assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 124 BPM | ||
Concerto Grosso in D Major, Op. 3, No. 1: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Major | 2 | 10B | 122 BPM | ||
Cantabunt Mihi | Radoslaw Pallarz, Franz Bach, Emily Korner, Bernhard Lörcher, Jakob Lustig, Tabea Schmidt, Philippe Tondre, Felix von Tippelskirch | C Minor | 0 | 5A | 129 BPM | ||
Concerto No. 1 In D Major RV 549: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 121 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Concerto No. 1 In D Major RV 549: III. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 144 BPM | ||
The Grand Festino: The Grand Festino, Overture: I. Allegro | Niccolò Pasquali, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM |