"How Do I Love Thee" by Edouard Lippé, Elizabeth Barrett Browning, Laura Enflo, Per Enflo was released on February 24, 2023. The duration of How Do I Love Thee is about 3 minutes long, at 3:25. Based on our data, "How Do I Love Thee" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Laura Enflo, Per Enflo's "Great songs, great lyrics" album is number 4 out of 11. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, How Do I Love Thee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of How Do I Love Thee by Edouard Lippé, Elizabeth Barrett Browning, Laura Enflo, Per Enflo to be Allegro (fast, quick, and bright) because the track has a tempo of 141 テンポ, a half-time of 70テンポ, and a double-time of 282 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Liederkreis, Op. 39: No. 1, In der Fremde | Robert Schumann, Elisabeth Leonskaja, Brigitte Fassbaender | A Minor | 0 | 8A | 74 BPM | ||
Dream Valley, Op. 20 No. 1 | Roger Quilter, Carolyn Sampson, Joseph Middleton | C Minor | 1 | 5A | 130 BPM | ||
Symphony No. 1 "Land of the Free": V. Whispered Prayers | Christopher Schmitz, London Symphony Orchestra, Stefan Sanderling, London Voices | E Major | 1 | 12B | 82 BPM | ||
The Folly of Desire: Leda and the Swan | Brad Mehldau, Ian Bostridge | E Major | 1 | 12B | 70 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Tchut, Tchut, Serie 4, No. 4 | Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia Orchestra | A Major | 1 | 11B | 115 BPM | ||
Pierrot lunaire, Op. 21: No. 3, Le dandy - Version française | Arnold Schoenberg, Ensemble Op.Cit, Guillaume Bourgogne, Jessica Martin Maresco | A Major | 1 | 11B | 140 BPM | ||
Concerto for Flute and String Orchestra: I. Andante cantabile – Allegro scherzando | André Jolivet, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | G Major | 0 | 9B | 73 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Keng-ca-fou, Mah-jong (The Chinese Cup, The Tea Pot) | Maurice Ravel, Delphine Galou, Jean-Paul Fouchécourt, Orchestre National De Lyon, Leonard Slatkin | D♭ Minor | 1 | 12A | 130 BPM | ||
6 Lieder, Op. 56, TrV 220: No. 1, Gefunden | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Minor | 1 | 3A | 163 BPM |