Carl Maria von Weber, Milan Turkovic, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner's 'Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio' came out on January 1, 1993. With this song being about 5 minutes long, at 4:33, "Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio" by Carl Maria von Weber, Milan Turkovic, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weber, C.M. Von: Bassoon Concerto, Op. 75 / Andante E Rondo Ungarese / Brahms, J.: Double Concerto, Op. 102 by Sir Neville Marriner. The song's track number on the album is #2 out of 8 tracks. Based on our data, United States was the country where this track was produced or recorded. Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio by Carl Maria von Weber, Milan Turkovic, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio being at 71 テンポ, the half-time would be 36 テンポ with a double-time of 142 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |