"W.A. Mozart: Mia speranza adorata! - Ah non sai qual pena sia, KV 416/Rezitativ und Arie (Rondo)/Mia speranza adorata!" by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden was released on 1981. The duration of W.A. Mozart: Mia speranza adorata! - Ah non sai qual pena sia, KV 416/Rezitativ und Arie (Rondo)/Mia speranza adorata! is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. W.A. Mozart: Mia speranza adorata! - Ah non sai qual pena sia, KV 416/Rezitativ und Arie (Rondo)/Mia speranza adorata!'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolfgang Amadeus Mozart: Konzertarien/Concert Arias by Herbert Blomstedt. The song's track number on the album is #1 out of 8 tracks. W.A. Mozart: Mia speranza adorata! - Ah non sai qual pena sia, KV 416/Rezitativ und Arie (Rondo)/Mia speranza adorata! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since W.A. Mozart: Mia speranza adorata! - Ah non sai qual pena sia, KV 416/Rezitativ und Arie (Rondo)/Mia speranza adorata! by Herbert Blomstedt, Edda Moser, Staatskapelle Dresden has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With W.A. Mozart: Mia speranza adorata! - Ah non sai qual pena sia, KV 416/Rezitativ und Arie (Rondo)/Mia speranza adorata! being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1, Op. 7: I. Allegro orgoglioso | Carl Nielsen, San Francisco Symphony, Herbert Blomstedt | F Major | 1 | 7B | 127 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: 18. Stille vor dem Sturm | Richard Strauss, San Francisco Symphony, Herbert Blomstedt | E♭ Minor | 0 | 2A | 126 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Herbert Blomstedt, Gewandhausorchester Leipzig | C Minor | 0 | 5A | 67 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM | ||
Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM |