"Valse noble et sentimentale, No. 2, M. 61" by Maurice Ravel, Anne Queffélec was released on January 13, 2017. The duration of Valse noble et sentimentale, No. 2, M. 61 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Valse noble et sentimentale, No. 2, M. 61's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 24 in Entrez dans la danse... by Anne Queffélec, Gaspard Dehaene. Valse noble et sentimentale, No. 2, M. 61 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Valse noble et sentimentale, No. 2, M. 61 by Maurice Ravel, Anne Queffélec is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux, R. 125: 13. Le Cygne | Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 0 | 9B | 130 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Boris Berezovsky | F Minor | 2 | 4A | 84 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Chopin: 12 Etudes, Op. 25: No. 1 in A-Flat Major, "Aeolian Harp" | Frédéric Chopin, Nikolai Lugansky | A♭ Major | 0 | 4B | 66 BPM | ||
Three Piano Preludes: II. No. 2 | Frederick Delius, Eric Parkin | F♯ Minor | 1 | 11A | 73 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM |