Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker's 'Beethoven: Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio' came out on 1995. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 9 in Beethoven: Triple Concerto & Choral Fantasy by Ludwig van Beethoven, Itzhak Perlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Beethoven: Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Beethoven: Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio by Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker is Allegro (fast, quick, and bright), since this song has a tempo of 154 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: 12 Contredanses, WoO 14: No. 3 D Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Symphonic Dances, Op.64: 2. No. 2 in A | Edvard Grieg, Philharmonia Orchestra, Raymond Leppard | A Major | 0 | 11B | 115 BPM | ||
Sonata For Violin And Piano In A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Itzhak Perlman, Vladimir Ashkenazy | G Minor | 2 | 6A | 142 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": I. Maestoso - Allegro | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelik | C Minor | 2 | 5A | 150 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Lyric Pieces Book III, Op. 43: No. 1 Butterfly | Edvard Grieg, Emil Gilels | F♯ Minor | 0 | 11A | 66 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale (Allegro energico) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM |