George Frideric Handel, Les Violons du Roy, Bernard Labadie's 'Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba' came out on November 1, 2007. The duration of Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Les Violons du Roy, Bernard Labadie's "Handel: Water Music" album is number 22 out of 22. On top of that, Canada appears to be the country where this track was created. Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Solomon, HWV 67, Sinfonia: The Arrival of the Queen Sheba by George Frideric Handel, Les Violons du Roy, Bernard Labadie to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Coppelia Ballet Suite: Festival of the Clocks and Dance of the Hours | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 0 | 5B | 181 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro | Franz Schubert, Bamberg Symphony, Jonathan Nott | E Major | 0 | 12B | 79 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
The Moldau (From Má Vlast), JB 1:112 - Version 1960 | Bedřich Smetana, Berliner Philharmoniker, Ferenc Fricsay | E Minor | 2 | 9A | 85 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |