"Pluhar: Orfeo Chamán, Act 4: "Esta barca" (Nahual, Orfeo)" by Christina Pluhar, Vincenzo Capezzuto, Nahuel Pennisi, L'Arpeggiata was released on October 7, 2016. Since Pluhar: Orfeo Chamán, Act 4: "Esta barca" (Nahual, Orfeo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Pluhar: Orfeo Chaman". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Pluhar: Orfeo Chamán, Act 4: "Esta barca" (Nahual, Orfeo)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pluhar: Orfeo Chamán, Act 4: "Esta barca" (Nahual, Orfeo) by Christina Pluhar, Vincenzo Capezzuto, Nahuel Pennisi, L'Arpeggiata having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
Cavalli: Il Giasone: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 98 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Polo margariteño (Polo) | Anon, Christina Pluhar, Quito Gato | C Major | 3 | 8B | 71 BPM | ||
Guedron / Arr. Pluhar: Aux plaisirs, aux délices bergères | Pierre Guédron, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | G Major | 2 | 9B | 99 BPM | ||
Miserere: II. Amplius lava me - Tibi soli peccavi | Michel Richard Delalande, Sophie Karthäuser, Ensemble Correspondances, Sébastien Daucé | B Minor | 1 | 10A | 129 BPM | ||
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
Falvo / Arr. Pluhar: Dicitencello vuje! | Rodolfo Falvo, Christina Pluhar, Vincenzo Capezzuto | E Minor | 0 | 9A | 100 BPM | ||
La Villanella, Prima parte, Pensieri amorosi: IV. Sinfonia 9 | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar | G Minor | 0 | 6A | 175 BPM | ||
Airs de cour à quatre & cinq parties, Livre I: Bien qu'un cruel martire | Pierre Guédron, Le Poème Harmonique, Vincent Dumestre | E Minor | 1 | 9A | 117 BPM |